Netflix’s charismatic hit, “King of Collectibles: The Goldin Touch,” is preparing for a much-anticipated third season launch, delivering once again its peek into the dazzling, often cutthroat world of memorabilia and collectibles auctions. As die-hard collectors and binge-watchers clasp their hands in anticipation, Ken Goldin and his titular auction house stand poised to take center stage, navigating the burgeoning industry where stakes, interest, and ambitions continue to skyrocket.
Bursting onto the scene in early 2023, “King of Collectibles” swiftly turned heads, making a bold entrance onto Netflix’s vaunted Top 10 list and even snagging a Critics Choice Real TV Awards nomination for Best Business Show. While the airwaves await an official release date proclamation, the sheer excitement buzzing around the show’s return is palpable and infectious.
Ken Goldin, the magnetic spearhead of this high-octane enterprise, expressed his jubilation at the show’s renewal. “We’re thrilled to be back,” Goldin enthused. He points to a crescendoing wave of excitement and transformation sweeping across the collectibles landscape. “It’s an exciting time in the collectibles industry with new categories emerging, higher stakes and bids, and interest coming from everywhere. We love to share these incredible moments and stories with a wider audience.”
Reflective of its impact, the third season will be a collaborative fruit of industry titans. It’s produced by Wheelhouse’s Spoke Studios in league with Peyton Manning’s Omaha Productions and the creatively ingenious Full Day Productions spearheaded by Connor Schell, all in tandem with e-commerce behemoth eBay. A significant powerhouse, eBay had shrewdly absorbed Goldin’s auction house into its formidable fold in 2024, accelerating its market reach beyond sports cards and firmly into the realms of pop culture memorabilia. Goldin’s acquisition of Studio Auctions—a herald of rare movie props—underscores this calculated expansion.
Goldin’s indelible presence in the collectibles domain remains irrefutable. According to Card Ladder’s elaborate insights, Goldin orchestrated an astonishing $32 million in June trading card sales. This staggering figure is a vital puzzle piece contributing to a historic $305 million industry turnover for that month alone—a testament to Goldin’s cornerstone presence amid this thriving new renaissance for collectibles.
However, the collectibles stage isn’t all glitz and glamour— it presents its fair share of theatrics and rivalry. Recently embroiled in such sporting drama, Goldin found itself at loggerheads with Fanatics Live CEO Nick Bell. The dust-up began when Bell attempted an audacious publicity stunt, seeking to piggyback on Ken Goldin’s Instagram presence to spotlight Fanatics’ own collectibles auctions. Predictably, this ploy backfired, fueling whispers of a burgeoning offstage rivalry amidst an already hyper-competitive market environment. This simmering tension is a testament to how intensely high-profile and fiercely contested the quest for collectibles supremacy has become.
As the fandom buzzes with anticipation for more details on “King of Collectibles” season three, the renewed luminescence on Goldin, his influential auction house, and the dynamic collectibles market underscores one incontrovertible truth: collecting has undeniably ascended to unprecedented levels of intrigue, drama, and splendor. The epoch is ripe with the promise that this cultural phenomenon—which marries nostalgia, investment, and unyielding passion—has never been more captivating, and perhaps, has never burned brighter.